It’s that time of year again. SXSW panel voting is upon us and Internet land is buzzing with nerds campaigning for a spot in the web’s most fun event of the year. There are a lot of brilliant ideas and it’s difficult not to pick everything listed on the panel picker. But voting ends this Friday, and so with that, here are 22 SXSW web video and film panels to “thumbs up.”
1. The Global Online Community: Improving Cross-Cultural Relations
Andrew Kneale, British Council
I’m starting off selfishly and for personal gain. I’m not even going to attempt to hide it. I was invited to be on this panel. Truthfully, there is a lack of panels that focus on building an International community on the web. This is the Internet, after all! This panel talks about why it’s important, how to communicate our stories across cultures, and what you can do to build a truly global community. Extremely valuable for a show creator.
2. Can P2P Save Filmmaking?
Jamie King, VODO and BitTorrent Inc.
According to Ted Hope, producer of 21 Grams and Adventureland, just four percent of the independent films made in the U.S. annually get traditional distribution. …At a time when the Internet has essentially driven media distribution costs to zero, distributed networks like BitTorrent provide an effective and flexible way for filmmakers to distribute their content.
3. Fundraising in a Box: Crowdsourcing Microgrants
Dianne Debicella, Fractured Atlas
Crowdfunding, combined with fiscal sponsorship, is a powerful and effective way to use online social networks to cultivate new donors. The panel will focus on how to successfully use crowdfunding in conjunction with fiscal sponsorship.
4. The Woman’s Story: marketing, distribution and production.
Lauren Kesner O´Brien, telegraph21
This panel brings together female producers, directors and distributors to share their perspectives and insights into the role of women in the new media landscape. We will also explore the challenges of being women in a male-dominated industry, how we are different, what we are looking for in new platforms, and what we are looking for as viewers.
5. Short Form Content to Inspire Action
TBD, Participant Media
Films like The Cove and Food, Inc have inspired a nationwide movement. But can short form content be equally effective in a video saturated online market? This panel will discuss how PSAs, funny videos, and short films online work today for causes, how to produce this type of content and how this will change in the future.
6. Zero budget? Video projects using only open-source tools
Jason Ormand, Opus Video Productions
This presentation will introduce open-source tools, cover strengths and weaknesses compared to commercial solutions, and will walk users from beginning to end through an open-source video production process.
7. Transmedia Production: Making The New Frontier
Behnam Karbassi, No Mimes Media
Transmedia has become the talk of the town, but the question remains: how do you make this $#it? This presentation reviews the considerations, techniques and unique challenges facing the new type of producer that has to know a little about a lot.
8. Tron Unwired: Engineering New Worlds & Effects
Brent Heyning, Toyshoppe Systems
Check out the energy innovations under the hood as we look at the engineering that goes into building costumes, props, models and sets for science fiction films such as Tron. Producers and creators for film can learn quickly how to budget, plan and execute their special effects. Films large and small can build effective props with lighting, sound and in-camera special effects, often without a large budget.
9. 8 Easy Ways To Sabotage Your Film’s Marketing
Rohit Bhargava, Olgilvy
Creating a film and getting it distributed often get all the attention, but what do filmmakers today need to know about the marketing behind their films? More importantly, what do they need to know about what to AVOID doing when promoting their films?
10. The Epic Fail of BitTorrent Indie Film Lawsuits
Eva Galperin, Electronic Frontier Foundation
The U.S. Copyright Group has quietly targeted tens of thousands BitTorrent users for legal action in federal court in Washington DC. What is the U.S. Copyright Group? How are they suing so many people? What should you do if you’re sued? If you’re a movie fan, should you be worried? If you’re the producer of an independent film, should you be suing your fans? We’re going to find out.
11. International DIY Shoots With The Canon EOS 7D
Daniela Capistrano, DCAP Media
During this panel, industry professionals from diverse backgrounds will share their “first time” experiences using the Canon EOS 7D on international shoots, provide insight on their equipment list decisions and workflow, discuss post production, DIY tips & tricks to get the most out of your shoot, and answer questions about career opportunities for 7D shooters.
12. Indie Film Apps, Engage and Distribute
Mark Smillie, Stonehenge Productions
The distribution model has changed for indie film makers. It’s time to take charge and utilize new technologies to distribute and engage your audience. Film makers can now build Apps that run on a variety of platforms such as Apple, Android, and soon Google to distribute their films. By leveraging social media, film makers gain an unprecedented view into their audience. This Panel will discuss and debate this new engagement and distribution platform.
13. Yikes, I’m Being Sued! Managing litigation threats
Patricia Aufderheide, Center for Social Media, School of Communication, American University
How do you stay safe but still get your film made? In this panel you’ll hear filmmaker horror stories, and learn from leading lawyers for documentary filmmakers how to handle challenges such as fair use claims, workarounds to DMCA prohibitions on breaking encryption, and intimidation.
14. Choose Your Own Adventure: The Future of Interactive Film
Benjamin Palmer, The Barbarian Group
How can techniques developed for the internet and physical installations be coupled with the filmmakers’ art to create an entirely new category of digital entertainment? How can content creators leverage technology trends like social media, the prevalence of smart phones, and the convergence of the internet and television? And how can it be done in a way that gives the audience a palpable sense of participation while maintaining the integrity and emotional impact of the story? A panel of interactive experts and filmmakers discuss where things are headed.
15. Virtually Augmented 3.0 Reality: New Tools for Filmmakers
Wendy Levy, BAVC
Driven by cloud computing, mobile and semantic technologies, virtual, augmented, and alternate reality, and crazy-sexy-cool search functionalities, web 3.0 is transforming the internet from a network of information to one of knowledge, services and linked data — with immersive digital content touching every aspect of our lives. At this panel, you will hear about new, interactive 3.0 doc projects from a panel of filmmakers who are considering stories as data points, subjects as avatars, real and virtual environments, 1st and 2nd life, and collaborative filmmaking “in the cloud.”
16. SXSW Films – Live Digital Makeovers
Chris Shellen, Open Face
More and more filmmakers are using the internet to finance, produce, distribute and market their no/low-budget films. Are you? The best way to learn about your options is to see them in action. In this workshop, we’ll take a few 2011 SXSW films and show how they could use the internet to: • Tell their stories in new ways • Get funding • Get production assistance • Get distribution • Find new fans • Market their films for almost nothing • Save (and even make) money You don’t need to be an internet geek to use it to make your film a success.
17. Internets, How Do They Work?: Lessons from ROFLCon
Christina Xu, ROFLCon, LLC
What do you learn when you get the entire internet together in one room? In this panel, the cofounders of ROFLCon (Tim Hwang and Christina Xu) will share what they’ve learned from cramming the internet’s celebrities, content creators, and community organizers into the same space as their fans and the academics that study it all.
18. Hosted Web Series: New Opportunities for Creativity
Kristyn Burtt, Krispy Productions
In the advent of web series developing, an abundance of hosted online shows have cropped up featuring topics like comic books to technology. What does it take to host and produce a show in the web space? How does it differ in terms of gaining an audience and marketing the show versus a scripted web series. Find out the secrets from some of the web’s best and brightest online personalities.
19. How to Get a Web Series Cult Following
Vanessa Pappas, Next New Networks
Original Web series viewership numbers now rival those of prime time cable television networks. But, on the Web where viewers have access to millions of videos of all different kinds, how do you get your content to stand out? And even more importantly, how do you get viewers to keep tuning in and really establish a cult following?
20. VideoBlogging: Go from Amateur to Outstanding
Joseph Jaffe, Powered, Inc.
You have a video camera and a YouTube Channel – now what? This panel will be a “Master Class” in online video and teach the next steps in building momentum in the online video space. The panel will offer many of the tips and techniques video bloggers are using everyday to make videos for themselves and companies that they consult with. At the end of this panel, people will have actionable takeaways that can immediately impact their video production, make better content and be able to promote their work more efficiently.
21. Decision Trees: YouTube’s New Breed of Interactive Storytellers
Marc Hustvedt, Tubefilter
YouTube’s annotations tool opened up a whole new way telling stories, with the rise of interactive videos that let viewers “choose-their-own-adventure” as they navigate through the story. This panel bring together the best and most creative of YouTube’s new breed of interactive storytellers to share their secrets of how they pull off these complex creations—including a walkthrough of actual viewer decision trees from their projects.
22. Live Content and Interactivity Around Shared Streaming Events
Brad Hunstable, Ustream
Live video is becoming increasingly relevant in today’s environment of real time, 24/7 information cycle. With the rise of interactive communities and information, live video has never been more relevant in connecting people with shared online experiences. Brad Hunstable will speak to the rise of live video and how brands, businesses, public figures and artists are using this new medium to interact and amass audiences that rival those of traditional television shows.
Note: I am *positive* I’ve missed some very good panels on this list… as well as panels from friends. If I missed yours, please add it in the comments and I’ll make sure to take a look.
